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Ramadan 2018 - Post 1 - The good, the bad and the really ugly..
Hello
hello old friends,
After
a small poll I’ve done, decided to ditch video and go back to written blogs,
it’s “my thing” apparently.
Kol
sana wento tayyebeen,
So
we live to see another Ramadan, with apparently a new set of ads (or are they
the same?)
SPOILER ALERT:
This is not a very happy blog post, if you are a client, creative or executive
in agency waiting for “mabrook, el e3lan kassar el dnia ya m3allem” or to forward
the article to your peers at work.. you wont find that here, not this time at
least..
If
you are in for some constructive criticism, please read on.
Sitting
in 4th day of Ramadan, we haven’t seen a massive flow of ads yet..
just the big telco’s, a teaser from Pepsi and some random copies here and
there.
Overall
honestly, I feel the creative output of the Egyptian ad industry is becoming
more frail year after year... We have generally been known to be the strongest creative
hub in the region, but with such outputs, I unfortunately feel we’ll be taking
a back seat very soon and lose leadership in one of the very few industries
we’re still ahead at.
If
everyone wants to play it safe and keep doing what has already worked on the
premise that “if its not broken, why fix it” aw "إللي تغلب به, إلعب به" y2ba 3aleih el
3awad.
I’ll
be mainly talking about Telecom ads in this post, cz its too long to include
anything else.. Honestly speaking, they all feel the same to me.. take out one
logo and put the other and u won’t feel a hint of a difference, they’re all
saying the same thing without a fraction of brand character infused in the copy..
Overall
the star-studded song concept feels too bland after EIGHT YEARS of
running the same idea, since Etisalat started this wave with their “2alo Magnoon” copy in
2010.. To put it in perspective, 8 years ago we were still kings of African
Football (Captain Hassan Shehata’s crew), Hosny Mubarak was still president and
Instagram was still an idea in Kevin Systrom’s sketchbook (the pre-influencer
era, fakreeno? haa7!!)
That’s
nearly a decade ago, a decade where we see the same ad with a different cast
and lyrics.. come on!
Every year since then we have seen the same concept replicated one way or the
other, get the hottest celebrities on the scene that year, put them all in a
2-3 minute song and ur set for the season.. Setting aside any regard for endorsement
value, ROI, brand role, message association or even distinction from competition..
Just something to win over the crowds w khalas..
But
seriously, 8 years later, I think it’s a shame for our creatives not to be able
to come up with something different, OR to put their foot down and tell their clients
“Sorry, we will not do another celebrity song”.
Why
Etisalat was so successful in 2010 was because the novelty factor was there,
concept was fresh, you were eager to see what they have to say and the
happiness that came with it..
bas
el kofta di is becoming too repetitive and tasteless.
A
very harsh introduction to a more lenient deep-dive, I hope. Don’t get me
wrong, the ads are not bad (not all of them, at least), and I actually enjoy
them, but I’m just addressing the fact that life has to go on beyond Oprette el
7elm el 3arabi that we see every year.
If
people see it coming already, you have less chances of scoring with them.
1.
Orange – جاري
يا جاري
The
closest to my heart, the one with the strongest insight; that while your
neighbors are literally the closest people to you, yet you feel very distant to
them.. So take Ramadan as a good chance to reconnect and get close to them..
Mixing the most prominent neighbor types (the noisy, the nosy, the grumpy, the
silo-ed and the trouble maker) along with a personal favorite of mine; Hani Shenouda’s score forShams El Zanaty’s OST makes the ad an instant fan favorite (gotta give
credit to my good friend Hisham Kharma for seeing the gem in this track and
remixing it twice; a techno remix in 1998 and a tribal chillout version in 2017).
Maybe
this feels a bit off Mobinil/Orange’s Ramadan look and feel of the past couple
of years, we’ve seen them do their version of songs with an Egyptian taste,
real people, real cast; real stories be it with Dayman Ma3 ba3d in 2012,
Fa3el Khier in 2015, Mel madfa3 lel madfa3 in2016 and so on.. but with changes in communication management heads between
telco’s, its normal to see a different flavor to what was originally a
consistent brand tone.
2.
Vodafone – نجوم
رمضان السنة دي
The
buildup there was quite nice, when they released pre-Ramadan copies for Saad Samir, Ahmed Hegazy and Ahmed Fathy, then
followed up with the full song showing us how the story builds up.
The
link is nice, and the connection between teaser and revealer copies is quite
neat honestly. But I’m not sure how are football players Ramadan’s stars if the
World Cup starts on the first day of Eid, so why would I see them as Ramadan
stars? They should be training in Ramadan.. lol
A
bit of a distant link for me, but I won’t be too anal about it.
But
as far as I’m concerned, it’s the same ad of the last 3 years, with just new
faces, refresh your memory with below
ڤودافون، قوتك فى عيلتك رمضان 2015 –
ڤودافون – العيلة الكبيرة رمضان 2016 -
3. Etisalat
– احنا مش بنهزر
Wallahi
shakloko bet-hazzaro bel e3lan da..
The
only thing that I see consistent in it is el mobalgha.. overdone in every way..
Random Ramadan stars overdoing everything in an overdone copy.. although Sherine
Reda of course soft-spot gamed.. still doesn’t justify, I don’t like the ad
nevertheless..
Also
I am really,
REALLY bothered by the fact that Mohamed Ramadan is being over
glorified in every appearance, be it a movie, series or ad.. The guy is
talented, gotta give him that, but he’s not God, because apparently that’s the
direction we’re heading; being last in line-up of the ad, King Tut’s casket,
the music crescendo, the lyrics.. la2 mesh Michael Jackson tale3 fel e3lan
ya3ni..
In
case you haven’t noticed, he referred to himself as possessing “شعبية إلهية” in the last copy
Also,
what the f*** is wrong with Samira Said’s voice.. I was listening to it in the
car and I thought it was a Minion sound effect.. howa fi eh?
4. WE
– Mobile Internet
Remember
when I said not all ads are bad, this is the bad one.
I
honestly have expected much more of them on their launch year, but looking at
what they’ve done with their logo design for starters, then the Montakhab
Airplane design (let alone the Salah fiasco), this is not too surprising to me
now..
Anyway,
let’s not grill them much, with the competition they’re up against, the ad will
probably die out very soon.. And that is when competition is really bad this
year, let’s hope they learn the lesson by the time competition get back in
shape.
Brand
specifics aside, and along from the repetitive song concept which I’m sure I made
very clear, there are some other factors that I see are
Copy duration
Kheir
ya gama3a.. shwaya shwaya you’ll stop competing in Lynx and Effies and go head
to head in short movie festivals..
Copy
durations are becoming TOO long.. 2 and 3 and 5 minutes are NOT OK..
What
kind of story are you trying to tell anyway.
I don’t
believe this is the biggest bang for your buck, in a country where there’s
a. No TV rating system (in case you didnt know, TV ratings in
Egypt have been suspended since May 2017).. Agencies have been sadly relying on
Twitter to know the good programs; Twitter, a platform of around 2 million
users in a country of 100+ million.. So you really don’t know if your ad if
being viewed or not, just qualitative assurances.. and dont fool yourselves with trending reports and view counts on Youtube, you know its all paid, so its a show of who has more digital budgets, nothing else.
b. An economic crash after floatation
c. A generation of viewers who are not on TV in the first place,
paying money for programs, platforms and bypasses to watch content without the interruption
of your commercial messages, and if they sadly sit through it, either they skip
it, watch the first 3-5 seconds of it or they watch it with sound off.
Copies
should be crisp, to the point yet entertaining to the audience you’re
addressing..
Over
the past year, I’ve been in sessions with Google, Facebook and the likes
talking about 6 second ads... and we’re serving 120 second++??
Literally
money down the drain.. I’m sure there’s a lot more you can do with these
production, celebrity royalties and airing budgets… a LOT more.
Choice of celebrities
When
we were studying celebrity endorsement in marketing and advertising books, by
definition the celebrity should
a. Be unique in some aspect of his persona (look, character,
attitude…something).. Johnny Depp with Dior Sauvage masalan.. perfect fit.
b. Have something in common with the brand
c. Add to the brand
d. Most importantly he should not have done any advertising
work with competition.. preferably no advertising at all kaman, then people
would remember him for your brand only.
Look
at the George Clooney-Nespresso partnership.. George Clooney has been doing Nespresso
ads since 2006, so for 12 years he’s been consistently hammering on the
Nespresso offering, taking it from a brand no one knew to a household name with
a machine in most of their target audience’s homes.
He
even took it a step further, George Clooney also serves as a member of the
Nespresso Sustainability Advisory Board, collaborating on ideas and solutions
towards improving the lives and futures of coffee farmers (check full story here).
So he literally became part of the company, because their agendas are so in
line that he can confidently represent the company as part of his belief system
and encourage people to buy its products because he trusts it so much.
Taking
it closer to home, when Adel Imam introduced Vodafone’s “Power To you” concept in
a 1 month stint that ended with the Jan 25 revolution (which I think was their
strongest corporate copy to date), that was f***ing powerful, the biggest
Middle Eastern star with the biggest Telco in the region, the marriage made
sense…
Neboss
b2a 3al konafa bel renga that we have here.. just topline examples, I’m sure
there will be more if we dig deeper.
- Donia Samir Ghanem and Hend Sabry both being featured on Etisalat’s “2alo Magnoon” copy, then again in this year’s Orange copy..
- Hossam Ghali did a couple for Vodafone himself as part of Al Ahly (since VF is lead sponsor), then appeared solo in Orange.
- Zafer Abdin in Orange this year.. already was in OrangeEagle just a couple of months ago and previously playing the exact same character in Vodafone Him/Her a couple of years ago (the suit, the watch, the boat, the girl.. the whole shebang really, just with a different brand)…
- El King b2a qessa
tania.. Mohamed Mounir, didn’t feature in one, but TWO competitor ads, he did “2alo Magnoon” also (which
was massive because he never did ads before that, novelty factor again).. Bas
el zaher el le3ba 3agabeto, cz Vodafone did a yearlong campaign with him
before he featured on Orange’s ad this Ramadan… eh ya gama3a.. el brand maloosh
ahl yes2alo 3aleih?
And I honestly don’t think its any of the celebrity’s faults.. at the end of the day its business for them.. if brand X comes and offers me money for representing their brand while knowing that I’ve already worked for brands Y and Z, then why would I care about your brand, if you apparently don’t.
So I think we should trying thinking harder about who would be a good fit to your brand and message rather than recycling celebrities who have been overused time and time again.
Also
one last thing… not everyone can sing guys, Nelly Karim was a pain to listen to..
Lack of brand role
None of the
songs (I wouldn’t say ads, because they aren’t) have a clear brand role defined
in the copies.. With the exception of Vodafone that maybe linked it adequately
by saying that “Elli gay aqwa” reference to the World Cup, which takes me back
to the point that it isn’t Ramadan relevant.. lol
But
generally speaking the copies should serve as a strong linkage between brand
role, celebrity and ad format.. So if the ad format is already مهري to its core, celebrity usage is as illustrated
above.. a natural result would be a lost brand in the middle.
At the end, really sorry about the long article, sorry about the harsh critique,
but even more sorry for the state we’ve reached... I’ve been a proud member for
this industry for the past 10+ years (with no interest in scrutinizing these
ads, I have no competing brands on the scene) and I would hate see it heading
to a position where we are just recycling ads.. we are better than that, YOU
are better than that.
Hope it’s a wake-up call to all my friends and colleagues in this
realm..
Not to belittle all the hard work put into these copies, I know how many sleepless nights between briefing, ideation, approvals, production and post it took.. but i feel it would be much better utilized over an original idea/concept.
Let’s reclaim our glory in this industry, we really do kick ass work.. let’s show it!
Not to belittle all the hard work put into these copies, I know how many sleepless nights between briefing, ideation, approvals, production and post it took.. but i feel it would be much better utilized over an original idea/concept.
Let’s reclaim our glory in this industry, we really do kick ass work.. let’s show it!
Till we meet next time, promise it won’t be that long.
Hope you found it useful,
Cheerio
3omdaz
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